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Saskia Olde Wolbers has a taste for stories in which the characters become victims of their own imaginations, unable to tell dream from reality. In her videos, detached voice-overs recount the unlikely dramas of her protagonists; abstract visuals look like digital dreamscapes but are in fact meticulously built miniature film sets.




The Dutch video artist Saskia Olde Wolbers (*1971, lives in London) has attracted international attention over the last few years with exhibitions throughout Europe. In 2003, her work in the "Statements" section of the Basel Art Fair received the Baloise Art Prize.

The works of Saskia Olde Wolbers are extremely popular. Her films even fascinate viewers unfamiliar with the art world. Although there are no actors involved, Wolbers's tales provoke emotional reactions. The protagonists are only present through the voice of the off-screen narrator. Wolbers's moving, painterly vocabulary of abstract forms surprisingly reveals itself as a visual correspondence to the storyline. The actual plot develops as a fiction in the mind of the perceiver.

In both video installations Placebo and Interloper, Wolbers narrates one identical story from each of the points of view of two lovers. They lie together in intensive care after a serious car crash. From the woman's version (Placebo), we learn about her suspicion that her lover, supposedly a married doctor, could have been deceiving her for years about his profession and his marital status. The model-like representation of a hospital room progressively fades away as the true story is shockingly revealed.

The artist's images and stories seem to be familiar to us, despite the relative absence of any spatial or temporal orientation in her films. In fact, Saskia Olde Wolbers's work refers to true TV or newspaper reports. However, the artist changes and expands the story at her own discretion. The protagonists thereby land in a spatially and temporally displaced meta-world, literally the artificial world of fiction. Saskia Olde Wolbers reminds us of the basic conditions with which the medium of moving images functions: on the one hand, the attraction of an imaginary, yet living reality; on the other hand, the tragedy of melodrama.

Iconography --- Art --- Film --- science fiction --- imagination --- computer art [visual works] --- video art --- digital art [visual works] --- Olde Wolbers, Saskia --- Netherlands --- multimedia works --- video [discipline] --- multimediakunst

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Art --- multimedia works --- computer art [visual works] --- Angel, Judit --- Chereches, Roxana --- Gherman, A --- Grozav, Caius --- Hügel, Peter --- Man, Calin --- Sabau, George --- Venice

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Art. --- Festschrift - Libri Amicorum --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art, Primitive

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Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme.
This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular

Japonism --- Art --- Art, Modern --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Japanism (Art) --- Japonisme --- Japanese influences. --- Japanese influences --- Art, Primitive

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Art --- Computer art --- 791.5 --- artificiële intelligentie --- computerkunst --- computers --- cybercultuur --- cyberspace --- digitale kunst --- games --- internet --- internetkunst --- Julian Stallabrass --- kunst --- kunst en economie --- kunst en politiek --- kunst en technologie --- nieuwe media --- technologie --- twintigste eeuw --- websites --- Art, Computer --- Computer craft --- Digital art --- New media art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Computer network resources --- Economic aspects --- Social aspects --- computer art [visual works] --- Internet --- Art, Primitive